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Articulation in Winds, Brass and Percussion – The Need for Systematic Pedagogy

Unlike string instruments, where articulation is visibly linked to bow motion, wind, brass, and percussion lack a unified teaching framework. For wind players, articulation relies on invisible breath and tongue coordination. Percussionists face a different issue: though gestures are visible, young players often hit rather than strike with musical intent. Though modern composers use specific articulation markings, no systematic teaching method exists—especially in elementary and middle school bands, where instruction often relies on trial and error.


This masterclass addresses that gap by introducing a structured, replicable system applicable in any classroom. It will feature a live demonstration ensemble to illustrate these concepts in a practical setting. Most importantly, participants are encouraged to bring their own instruments for hands-on experimentation. Through analogies, physical gesture, and aural modeling, attendees will directly explore making sound with clarity and musicality—whether through breath, tongue, or mallet. The goal is for every participant to leave with a clear, repeatable approach to teaching articulation

Photo - Toru Miura 三浦 徹 (みうらとおる)_edited_

Dr. Tian Tee LEE

Photo - Toru Miura 三浦 徹 (みうらとおる)_edited_

Clinics

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